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True Review
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Size Matters?
Film historian Dhruv Somani writes on the phenomenon of filmmakers often selecting lengthy film titles. Of late, lengthy titles appear to back in vogue. Karan Johar announced...
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A DELIGHTFUL TAKE ON ART & CREATIVITY
In an age of brainless big-budget banalities, Rajat Kapoor’s new film is a deliciously unpredictable and thought-provoking exploration of the creative process, writes Sh...
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That Daisy Fiasco
Film historian Dhruv Somani flashbacks to the furore, which erupted over Sharmila Tagore’s Malayalam film (1979). Dubbed in Hindi as Daisy, it was suspected to have inco...
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When Disaster Strikes
Film historian Dhruv Somani re-visits Yash Chopra’s Kaala Patthar (1979), based on the true-life Chasnala coal-mining tragedy. Movies about doomsday predictions have al...
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The Two Who Went Away
Film historian Dhruv Somani laments the fact that the alluring Prema Narayan and Jasmine quit Bollywood way too prematurely. She was a former Miss India, and a succ...
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The Forgotten One
Film historian Dhruv Somani writes on the curious case of Marc Zuber, who had featured in Bollywood and international films. Right from his unusual name, to his non-desi back...
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The Flashback Experiment
Film historian Dhruv Somani revisits Cinema Cinema, the 1979 underappreciated documentary by Krishna Shah and Shahab Ahmed, on the genesis of our popular cinema. Cinema Cinem...
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APARAJITO: A PARODY MASQUERADING AS A ‘TRIBUTE’
Pandering to the Bengalis’ juvenile fondness for wallowing in nostalgia, Anik Dutta’s film is a monument to artifice. Nothing, not even Jeetu Kamal’s strikin...
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Salty and Spicy
Film historian Dhruv Somani marvels at Gulzar’s women-centric flavored Namkeen (1982). A lonely house looks so dilapidated that only some miracle seems to be ...
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Those Haunting Melodies
Film historian Dhruv Somani, laments the end of the melody-laden songs of the suspense-packed whodunits, which enthralled right from the days of Aayega Aanewala in Mahal (1949...
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